Courtesy hannah baer.Įrica Dawn Lyle: It occurred to me today that when we first met in real life back in May, we both admitted that we’d been secretly working in our rooms on making noise music and were wondering if or when we would start to perform it publicly. The next day we finally sat down to have this conversation and to compare notes on our mutual obsessions with illegal street parties, improv noise music, and the radical political possibility of gender transition.Ī towel transforms the lighting at a renegade rave at Prospect Park. This past October we planned, promoted, and performed together at a successful guerilla improv show and dance party at the amphitheater in East River Park on New York City’s Lower East Side. The pandemic intervened and instead we began a correspondence that, in 2022, has became a real life friendship. In early 2020, after reading TGSM, I sought out baer to do an interview. Always raising questions rather than trying to answer them definitively, baer has written a funny and poignant coming-of-age trans girl memoir with an anti-capitalist analysis, a work that refreshingly treats trans as an open-ended question, something always in motion. In doing so, she teases out the implications of the larger thought experiments and challenges that gender transition poses to consensus reality and identity politics. In TGSM, baer-who is also the operator of the widely-read Instagram meme account, the somatic experience of her own transition under the microscope. She discussed SCAM in interviews, and she stated that an eleventh issue was in development.Within the flood of new trans memoirs and books offering their definitive takes on trans theory in the past few years, I gratefully found hannah baer’s book, Trans Girl Suicide Museum (Hesse Press, 2019), to be something of a life raft. In 2019, Lyle joined the band Bikini Kill as a guitarist. In 2010, Microcosm Publishing printed Scam: The First Four Issues. SCAM is sort of morphing into more longform, underground journalism, where I try to cover things outside of the mainstream but in a really careful and thoughtful way." I became less interested specifically in punk and more involved in activism, and I started doing other self-publishing projects for a broader audience. But it was also a way to participate in and broaden my community. ![]() Lyle explained in an interview, "The magazine started as a way to document the life my friends and I were leading as teenagers, which was getting everything for free. In 2016, Lyle produced a twenty-fifth anniversary issue, which included interviews with Barry McGee, Danny Lyon, Rebecca Giordano, and others. In 2011, SCAM focused on Black Flag and the Los Angeles punk scene. In 2010, SCAM examined Art Basel, juxtaposing the elite art world with the tent cities of Miami. In 2008, Lyle produced an issue that focused on street art and activism in Buenos Aires, Argentina. Over time, the zine became more political. It is particularly known for documenting a life that aims to ".resist capitalism and have fun AND have a sense of humour at the same time," according to Microcosm Publishing. However, the zine is understood to be a source of inspiration and creative resistance for many readers. For contemporary audiences, many of the scams detailed in the zine are no longer relevant. ![]() Early issues of SCAM focused on topics such as freighthopping, generator shows, wheatpasting, selling plasma, and returning stolen merchandise. This zine helped inspired Lyle to create her own zine. Lauderdale punk house, where she was introduced to a zine called Get Loose. Lyle started the zine as a teenager, after fleeing a violent home situation in Palm Beach County. Furthermore, the zine explained "scams" to readers, so that they could attain items or benefits for free. ![]() In early issues, the zine explored squatting, dumpster diving, train hopping, and volunteering with needle exchange programs and Food Not Bombs. The zine covers punk rock culture and grassroots activism in various locations, including Miami, San Francisco, Buenos Aires, Los Angeles, and New York City. SCAM is a zine produced by Erica Lyle (aka "Iggy Scam"), launched in 1991.
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